Tag Archives: Sherlock

The Trouble With Portraying Sexuality

There’s something that’s been sitting on my mind for a while now, and I wasn’t really aware of the cognitive dissonance until I had a recent discussion with a friend of mine. In feminism, a movement apparently in its third wave according to academics, yet still struggling to find a unified front on many issues, there is a bit of an issue when it comes to the public perceptions of female sexuality.

Basically, it boils down to two views. First, you have the idea that sexuality should not be shameful. Sex isn’t something to shame people for having. Doing such can cause all sorts of psychological problems, first off. It’s a completely natural process that, unlike most animals in the world, is enjoyable for recreational purposes and is not solely a procreational action.

Unfortunately, when it comes to shame over sex, women get the worst rap. We all probably know the double standard by now… men who have multiple partners are conquerors. They’re virile. They’re manly. They can hold their tally like a trophy, the quantity of their conquests far outweighing their abilities (or inabilities) in the bed itself. Meanwhile, women are to keep their sexual lives quiet. Women with multiple partners are sluts. Shameful. Dirty. Broken. In a weird twist, sometimes people that want to help protect women from being sexual victims apply the term “victim” all over the place, even when sex is fully consensual… because it’s inconceivable for some people that a woman might seek out and desire sex. So, there’s the faction that wants to eliminate sex as a dirty word and deed, particularly for women. If a woman wants to be a stripper, let her. If she wants to be a prostitute/escort (when legal), why not? If she wants to dress provocatively, she should be allowed without being called names, or seen as “asking for sex.” Consent is different from how one dresses one’s self.

But then, there’s the other faction. The faction that says they’re tired of women being objectified and seen as sexual pleasure units. That’s tired of cleavage and boobs and butt on every single advertisement. That’s tired of having products directed at women (and men) because of their chromosomal makeup. Tired of the media using tired, false gender narratives and tropes, like the damsel in distress. But, mostly, tired of just being deemed as sexual, being boiled down to physical bodies and sexual performances. Tired of being “Hot Girl #3” on the TV.

Now, some of these things are shared by both groups, like being tired of the tropes and the gendered products. But sometimes, even those things find fractions between the factions. Because, despite being feminists and desiring an equality between all genders and sexualities, there’s just too many problems and not enough solutions.

It is definitely a problem that women exploring their sexualities are seen as sluts and looked down on. It is also definitely a problem that society demands sexual performance from women. It’s a hypocrisy that continues to harm our social makeup where men expect sex from women, and women have the choice of either being degraded for complying or degraded for not complying. And then possibly being raped and blamed for it by society. It’s not exactly a kind world for women today (and the scary thing is that it seems like it might be kinder than it once was).

I’ll give an example of the disparity. In the BBC show “Sherlock,” a show I find to be quite fantastic, in season 2 we were introduced to what is perhaps Sir Arthur Conan Doyle’s most infamous female character, Irene Adler. Appearing in “A Scandal In Bohemia,” she is the one woman Sherlock Holmes has shown obvious affection and admiration for. To quote,

To Sherlock Holmes she is always THE woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. […] And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory.

In the BBC show’s re-imagining of the character, she was recreated as a dominatrix, using her wits and dominance in the bedroom to put powerful people in compromising positions and obtain information she hoped to use to her advantage. In her first meeting with Holmed, she introduced herself in the nude as an attempt to throw him off his game. It worked. …but this portrayal exemplifies exactly the difference in the factions.

On the one hand, there shouldn’t be anything wrong with a woman willingly working in the sex industry. (We’ll skip the discussions of abuse and slavery for now to make the discussion simpler, but I wouldn’t count anyone coerced or forced into that industry in any fashion as working in it willingly.) There shouldn’t be anything wrong with a woman using her body or sexuality for any (legal) reason, even to win a battle of wits against a certain private detective. However, some feel that being portrayed as a sex worker diminished the focus on Adler’s mental acuity and ability as written originally by Doyle. It felt like a cheap gimmick, a typical jump in today’s media to make the woman a sexual being, an object of pleasure.

This is, of course, not helped out at all by show-runner Steven Moffat’s rather well-documented casual sexism and poor treatment of female characters in his other show, “Doctor Who.”

Personally, I think the Adler character (unlike many of the women in “Doctor Who”) was well done. The sexuality wasn’t really a focus the way I saw it. It was never portrayed in a gaudy, ridiculous fashion. Rather, it was run as a counter to Sherlock’s discomfort with the sensual, as sensuality requires physical and emotional responses that he has spent years ridding himself of for the sake of logic and reason. Others, like my friend, disagree.

The sad thing is, there’s not really a way I can see out of this sort of conundrum. It seems perfectly obvious to me that both factions have absolutely correct and poignant points. Both of these hypocritical philosophies of our society (particularly American) are damaging. On their own, they’re bad enough. Combined, they are a maelstrom of harm and sexism. And that’s just for the women. It damages men, too, as does our portrayal of men in the media. So, should one aspect be focused on more than the other? Can both be fixed without a complete reset of social norms and ideals? Or is this something we will constantly be fighting against, one way or another?

I honestly have no idea what should be done about these problems, save this: We need to talk about them and realize they’re problems. While we may not agree on the solutions, as long as we agree something is wrong, we can start to work toward answers. And since the world is full of people smarter than me, maybe the answer is just waiting for someone to mention the problem to the right person.

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The Wide Screen – My TV Awards

I’m really finding it difficult to think of anything poignant to say tonight. Shocking, right? But sometimes, when trying to write at least one blog post a day and the majority of politics being a series of repetitive broken bollocks in its current state, you find yourself without inspiration or trying to say the same things you’ve said 15 times before in a new way that still remains written in the language of your aptitude.

So, instead, I’m starting ANOTHER NEW SEGMENT. That’s, like, two new segments in nearly as many days, right? I am CRAZY exciting on this blog, aren’t I?

Anyway, this segment, “The Wide Screen,” is all about television, if you can’t guess. I doubt I’ll use it too terribly often, as TV isn’t something I get to watch too terribly often. However, I have been trying to catch up on some of my favored shows via the power that is the Internet. And I was thinking earlier how I’d categorize them. So, here goes, a brief look at my TV schedule and why I watch them.

Best Ensemble Comedy – “Community”
If you haven’t watched “Community” before, good GOD are you missing out. It is unabashedly nerdy at times, hugely ridiculous, amazingly funny, wickedly enticing, rarely predictable and has characters that are all pretty cool to be interested in. Joel McHale does an amazing job as the “main” character, but the rest of the cast are no slouches either. And it’s always fun to see Chevy Chase work. If there’s an episode to watch to get you into the show, it’d either have to be “Abed’s Uncontrollable Christmas” or “Advanced Dungeons & Dragons” from season 2. Or, hell, “Pilot.”

Best Comedy Duo – James Roday as Shawn Spencer and Dulé Hill as Burton “Gus” Guster from “Psych”
After watching some of “The West Wing,” I definitely grew to appreciate Dulé Hill’s muscles as a dramatic actor. But I was introduced to him through this show, and his chemistry with James Roday in “Psych” is amazingly hilarious. A show that is essentially a funny “The Mentalist,” with some slight reminiscence of the Sherlock Holmes stories, the two main characters are more absurd, over the top, and knee-slappingly hilarious than and other two people I can think of now. They remind me of the random absurdity of Monty Python, but with the familiarity of repetitive gags and characterizations all wrapped in a fun little crime “drama.” But the show has its serious moments, many of which have been spectacularly done. Particularly, “Mr. Yin Presents…”. Can’t really suggest a favorite episode. Just start watching. Grow to love it.

“Smartest” Comedy – “The Big Bang Theory”
Yes, it’s really nothing smashingly new in the sitcom world. It still has a laugh track, vague character development and some obvious pun set-ups from time to time. But it makes many a joke relating to some upper levels of science, much of which I, as a nerd, find myself able to understand. And I like that. Not to mention, they make it seem kind of fun in a dorky way. This is a show that appeals strongly to my smarter, dorkier side. It’s not a smart comedy the way “Frasier” was or the way Molliere and Shakespeare can be considered as such. It just touches on intelligent areas and makes them funny. And Sheldon Cooper is a hoot and a half. Can’t really suggest any episodes for this one, either.

Most Faithful Comedy – “How I Met Your Mother”
Okay. It’s been how many years since this show started, and all we’ve seen is an ankle. We’re pretty sure the mother isn’t blond, we know the umbrella and Barney’s wedding are important, we know that Barney’s getting married. Though, what with the duck tie bet, I’m pretty sure that won’t happen until mid-season or the end of this season. Which is frustrating. But, despite all of this, the characters continue to be humorous and the show continues to make them slightly more interesting and slightly more adorable and funny to watch each time. It has been a long journey, but it will all be over in a few more seasons… and unless they screw the pooch big on this one, I’ll be there through it all. My favorite episode may just be “Slapsgiving” from season 3.

Most Anticipated Comedy – “30 Rock”
Man oh man oh man. There aren’t too many shows I’m more excited about returning. I really want this show to return. It is somehow the most intelligent and most moronic comedy I’ve ever watched. Which makes sense, being that it’s written and produced by “Saturday Night Live” veteran Tina Fey and is essentially a show about the background workings of a show like “SNL.” It has some of the same random ridiculousness you can find in “Psych,” but in a more controlled, yet often far more absurd and fourth-wall shattering, manner. Throw in Alec Baldwin playing a high-powered Republican executive, and this is a pitch perfect comedy. One of my favorite gags is in the episode “Apollo, Apollo” from season 3.

Best Crime Drama – “White Collar”
That’s two USA Network shows! And my first non-comedy. Crazy, right? But I do watch a FEW shows that aren’t all about the laughs. Anyway, this show is simply delightful to watch. It has great drama, a VERY charismatic main character, and a CRAP load of intrigue. If you like puzzles and mysteries and “what’s next”s, this show will likely tickle your fancy. It’s not quite on the BBC’s “Sherlock” level, but the benefit “White Collar” has is in its new characters and having more than 3 episodes a season. This is one you might want to start on with the pilot just to keep up with the plot.

Potentially Biggest Disappointment – “House, M.D.”
You didn’t think all of these were going to be positive, did you? “House” has been one of my all time favorite shows ever since “Distractions” caught my eye, “Euphoria, Part 1” grabbed me and “Euphoria, Part 2” sealed the deal. It is an absolutely amazing show. The medicine is intriguing and all, but the characters are just phenomenal. Sure, it had weak points, like Season 3. But it has been a consistently great show through its time. Season 4’s two-part season finale episodes “House’s Head” and “Wilson’s Heart” are two of the best episodes of television I’ve ever seen in my life. That said, it should have ended last season. The ONLY plot still dangling is a character having knocked up two girls. A character that, frankly, I don’t care too much about. And now that Lisa Edelstein has left the show, the balance is all off. The few episodes I’ve seen of the season thus far have been… odd. The first episode, where House was essentially by himself, was fine. But the next one, back at the hospital? It felt awkward a lot. Especially with the new Asian girl. The only comfortable thing in the episode was House’s and Wilson’s interactions, strained and slightly repeated though they may have been. Still, I’m sticking with it through to the end. Especially since the end is likely this season. But I have a feeling I’m going to miss the wonders that were available in Seasons 1, 2 and 4. And other seasons that aren’t 3.

Take a look if you want. Your call.

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